The deal, valued at approximately US$22 billion, brings the connected TV platform into Fox Digital Platforms, alongside Tubi and Fox One. The company expects to generate US$400 million in annual cost synergies over the next two years.

Fox Corporation completed its acquisition of Roku, Inc. on November 6, marking a new step in its digital expansion strategy and strengthening its position in the streaming and connected TV (CTV) markets.

With the integration, Fox brings Roku, Tubi, Fox One and Red Seat Ventures under its digital business structure, consolidating an ecosystem that combines content, distribution and advertising technology. Roku’s platform reaches more than 100 million households worldwide and provides access to thousands of apps and channels.

The company expects the transaction to generate approximately US$400 million in annual cost synergies over the next two years, in addition to further revenue growth opportunities. It also anticipates that the acquisition will become accretive to free cash flow per share beginning in the second full year following closing.

As part of the leadership structure, Roku founder Anthony Wood will join Fox’s Board of Directors and serve as co-chairman of Fox Digital Platforms, alongside Paul Cheesbrough, who will serve as co-chairman and CEO of the division.

Fox said Roku will continue operating as an open distribution platform for the entertainment industry, maintaining its relationships with content partners and its commitment to providing access to a wide range of services and channels.

Lachlan Murdoch, Executive Chair and CEO of Fox Corporation, said the combined company’s priority would be to continue serving audiences and partners while reinforcing the openness and choice at the core of the Roku platform.

Under the financial terms of the transaction, Roku shareholders received US$95.30 in cash and 0.9799 shares of Fox Class A common stock for each Roku share held. Following the closing, existing Fox shareholders own approximately 74% of the combined company, while former Roku shareholders hold the remaining 26%.

With this acquisition, Fox expands its reach in the US television and streaming market, combining its news, sports and entertainment offering with one of the leading connected TV distribution platforms.

La entrada Fox Completes US$22 Billion Acquisition of Roku se publicó primero en TTV News.

The film, starring Rui Pedro Silva and Victoria Guerra, is loosely based on the true story of the hijacking of a TAP flight in 1980.

Netflix announced the start of production on Operation TAP, Netflix’s first film in Portugal, directed by João Nuno Pinto (Mosquito, 18 Holes to Paradise).

The film, starring Rui Pedro Silva (Remains of the Wind, Maria Vitória), Afonso Pimentel (Memories of Prison, Turn of the Tide), and Victoria Guerra (Impossible Lovel, Gloria), is loosely based on the true story of the hijacking of a TAP flight in 1980, carried out by a 16-year-old boy with a head full of dreams.

An adventure with an ’80s vibe and a modern pace that combines tension and emotion to tell how a night of fear ultimately turned into something no one expected.

Operation TAP is produced by SPi, part of the SP Televisão Group and the production company behind Glória, Netflix’s first Portuguese series, and is written by Pedro Lopes, Miguel Rico, and Marina Preguiça Ribeiro.

Synopsis: 1980. An armed teenager hijacks a plane to Madrid and demands $10 million, turning the passengers and crew into hostages for a night of tension and uncertainty. But what begins as a threat of violence ultimately reveals an unexpected story of empathy and humanity between the young hijacker and those he holds hostage.

La entrada SPi Produces Operation TAP, Netflix’s First Film in Portugal se publicó primero en TTV News.

Available to select members in the US as a test, AI Discover is aimed at helping users decide what to watch through AI technology.

Netflix announced the introduction of AI Discover, a new tab on the platform’s TV app, where a small group of members can try new ways to find their next great watch.

Inside the tab, the company will begin rolling out early discovery experiences, starting with one that lets users say what you’re in the mood for and explore from there.

“There’s more to enjoy and discover on Netflix than ever, but what sounds right for a quiet night in may look different for family movie night or a few spare minutes. We’ve spent years refining how you discover, with recommendations tailored to your tastes, from what you Thumbs Up to what you add to “My List.” Now, AI Discover joins the mix as a new way to explore”, the company said.

The first experience within AI Discover is built around themes. Users start by picking from a range of themes, each previewed with a clip from a show or movie. Some are based on feelings (“Something Light,” “Scare Me”), the people watching (“Family Movie Night”), or how much time (“Quick Watches”). Others might reflect what’s new or popular, or what users have been watching lately.

Choosing a theme then brings up matching recommendations. After that, more specific themes surface. Every title has a “Tune Your Recommendations” button, right next to “Play” and “My List.”

“What we’re most excited about is how it feels to use. AI Discover is powered by a new intelligence layer we’ve been building that responds to what members tell us in real time and keeps learning”, the company said.

AI Discover will begin rolling out in the US to members who use Netflix in English on supported TVs.

La entrada Netflix Introduces New AI Search Feature se publicó primero en TTV News.

The series will be available on Filmin in early 2027.

Beta Film has sold the gripping German true-crime drama Blindspot Berlin to Filmin for Spain ahead of its Spanish premiere at the South International Series Festival in Cádiz on 31 October.

The six-part drama, produced by Neuesuper in co-production with ARD Degeto Film, rbb, NDR, and HR, arrives in Spain following its acclaimed world premiere in the prestigious Primetime section of the Toronto International Film Festival (TIFF) last month.

Blindspot Berlin launches today on ARD’s streaming service, with linear broadcasts on November 1 and 6. The series will be available on Filmin in early 2027.

Jaume Ripoll, co-founder and CCO of Filmin: “From the moment we watched the first episodes, we had no hesitation in acquiring the series for Filmin. It is an outstanding example of how to craft a thriller based on true events while remaining entirely faithful to the real story. Its technical excellence, exceptional performances, and direction that revives the very best of the European thriller tradition make Blindspot Berlin one of Filmin’s flagship series for Q1 2027.”

Christian Gockel, EVP International Operations Spain and Portugal, Beta Film : “Blindspot Berlin turns a chapter of recent German history into a gripping, character-driven thriller with universal appeal. Its combination of true-crime urgency, outstanding performances, and a story about the consequences of institutional failure makes it a powerful proposition for international audiences. Filmin recognized that potential. We are proud that Blindspot Berlin already premiered at TIFF and Hamburg, and will now celebrate its Spanish premiere at the South International Series Festival in Cádiz. We are confident that the series will continue to engage audiences around the world.”

Based on true events, Blindspot Berlin follows the investigation leading up to the 2016 Berlin Christmas market attack, exposing how institutional failures, bureaucracy, and political blind spots prevented authorities from stopping one of Germany’s deadliest terrorist attacks.

The series is directed by David Nawrath (Your Honor), who co-created and co-wrote the screenplay with David Marian. Multi-award-winning German actor Albrecht Schuch (All Quiet on the Western Front, Bad Banks, Berlin Alexanderplatz, System Crasher) leads the cast alongside Tamer Trasoglu (Unfamiliar, Manta Manta) and rising actor Bayan Layla, one of this year’s German Films Face to Face talents.

Berlin, December 19, 2016. A truck plows into a crowd at a local Christmas market, killing 13 and injuring dozens. It marks one of the most devastating terrorist attacks in Germany. More than a year earlier, young police officer Isra (Bayan Layla) and investigator Frank (Albrecht Schuch) are monitoring the Salafist scene around preacher Abu Walaa. Both are fighting their own demons: While Isra hides a traumatic family history that could jeopardize her career, Frank buries himself in the case, straining his marriage. Frank recruits Murat (Tamer Trasoglu), an informant risking his own life to infiltrate the Islamist network. Soon, they encounter Anis Amri, a volatile, elusive, and increasingly dangerous young man. But despite their repeated warnings, neither the Federal Criminal Police Office nor the intelligence service take the threat seriously. Blocked by bureaucracy, political arrogance, and institutional blind spots, Frank and his team are left with their hands tied while the tragedy unfolds.

The ensemble cast of Blindspot Berlin also includes Wael Alkhatib (Sun and Concrete), Jeanne Goursaud (Exterritorial, Barbarians, Kabul), Bernd Hölscher (The Captain, Munich Games, We Children from Bahnhof Zoo) and Sina Martens (From Hilde, with Love; Trunk: Locked In).

The limited series is produced by NEUESUPER in co-production with ARD Degeto Film, rbb, NDR and HR, and distributed internationally by Beta Film.

La entrada Beta’s crime drama Blindspot Berlin heads to Spain’s Filmin se publicó primero en TTV News.

The new adaptation of Caridad Bravo Adams’ story follows a woman who must fight to prove her innocence and discover whether it is possible to trust again.

ViX premieres Yo no creo en los hombres on October 30. This new adaptation of Caridad Bravo Adams’ story brings the classic melodrama into a contemporary setting, where love, trust, friendship and the strength to stand up for one’s truth intersect in the life of a woman who must learn to start over.

Starring Valentina Buzzurro, José Pablo Minor and Adolfo de la Fuente, the series also features Paulina Matos, Lourdes Munguía, Marisol del Olmo, Cecilia Gabriela, Alejandra Zaid and Ruy Senderos, alongside a talented ensemble cast that brings to life the characters who will accompany Julieta throughout her journey.

Julieta has always been protected by her mother, Lucía, who, after enduring an abusive relationship, has done everything possible to keep her daughter away from situations that could hurt her. But everything changes when Julieta meets Arturo, a charismatic and seductive man with whom she falls in love, never imagining that their relationship will change her life forever.

Under pressure from his mother, Leonor, Arturo decides to marry Sofía, a successful businesswoman, to secure his family’s future. However, he continues to seek out Julieta, and following an encounter that turns violent, she is accused of murder and sent to prison.

From that moment on, Julieta must fight to prove her innocence and regain her freedom. Along the way, she will find support from her mother, her best friend and Emiliano (Adolfo de la Fuente), who enters her life when she least expects it and makes her question whether she has truly stopped believing in love.

As she confronts her own fears and fights to regain control of her life, Julieta will begin a transformation that leads her to leave behind the young woman who always needed protection and become someone capable of standing up for herself, making her own decisions and choosing whom to trust again.

Combining love, secrets, family conflicts and second chances, the series also explores themes such as female empowerment, female solidarity, gender-based violence, everyday forms of sexism and new masculinities.

Yo no creo en los hombres is an adaptation of the work of Caridad Bravo Adams, with scripts by Janely E. Lee and María Cervantes Balmori, and literary editing by Ana Granados. This new version revisits the original characters and conflicts, bringing them closer to contemporary audiences.

Because after losing everything, sometimes the real challenge is not starting over, but deciding whom to trust again.

La entrada ViX Premieres Yo no creo en los hombres se publicó primero en TTV News.

New research by Ampere Analysis indicates content from non-English speaking countries now accounts for 65% of acquired titles on Netflix and 50% on Disney+.

As international content continues to drive engagement and views on streaming platforms, a new report by Ampere Analysis indicates content from non-English speaking countries has reached a new high on leading platforms like Netflix and Disney.

This content now accounts for 65% of acquired titles on Netflix and 50% on Disney+, according to the report. In this regard, Japan and South Korea are the leading source countries for Netflix, while German content was the most sought-after by Disney+.

Ampere finds increasing potential in content from Japan, France, South Korea and Turkey, regions where content is now notably popular, yet the number of international exports are relatively low.

Only 40% of Japanese VOD content is available worldwide, with sci-fi and fantasy being the most popular genres. Meanwhile, South Korean content remains under-distributed despite its global appeal, with 45% of titles available only on domestic VoD services.

And while Turkish drama has consistently been a favorite among global audiences, only 30% of it is distributed internationally, as per the report, meaning fewer than 1000 titles.

French films have strong potential to reach neighbouring European audiences, supported by France’s well-established international distribution network. Around 76% of French VoD content is available in markets outside the country.

Tingting Li, Research Manager at Ampere Analysis, said: “Non-English content remains under-exploited despite growing global demand. In recent years, Prime Video, HBO Max and Disney+ have increasingly expanded non-English-language title licensing in multiple markets. Japanese, South Korean, French and Turkish content present the top opportunities for international licensing, with strong audience appeal but still gaps in cross-border availability. For content owners and platforms, buying this content can bridge the gap between audience demand and international distribution.”

La entrada Non-English Content Surpasses Half of Content Acquisitions for Netflix and Disney+ se publicó primero en TTV News.

The group announced financial results for the third quarter of the year, reporting US$1.4 billion in total revenue.

TelevisaUnivision, the world’s leading Spanish-language media company, today announced financial results for the third quarter ended September 30, 2026.

The company reported total revenue reached US$1.4 billion, up 9% year-over-year, with 51% growth in Mexico driven by the FIFA World Cup and delivering sequential improvement over the first and second quarters of 2026.

DTC business delivered record revenue, with double-digit year-over-year growth, fueled by ViX’s performance during the quarter. Adjusted OIBDA reached US$461 million compared to US$467 million in the prior year.

The group ended the quarter with US$753 million in cash and a 5.5x net debt to Adjusted OIBDA leverage ratio.

“Our performance in the third quarter reflected disciplined execution against our multiplatform strategy as we delivered exceptional results from the World Cup in Mexico while gaining momentum in the U.S. with increased engagement across our fall content slate and robust sports portfolio,” said Daniel Alegre, Chief Executive Officer of TelevisaUnivision. “As we close out the year, we remain focused on maximizing the value of our content across multiple platforms to reach a wider audience and increase our monetization opportunities.”

La entrada TelevisaUnivision Reports Quarterly Growth Driven by FIFA World Cup and ViX se publicó primero en TTV News.

The new vertical video production is set to debut on Holywater Tech’s My Drama platform.

FOX Entertainment Studios and Endemol Shine North America, a Banijay America company, are breaking new ground with an untitled original scripted horror series inspired by the iconic Fear Factor: House of Fear franchise on FOX.

The new vertical video production, set to debut on Holywater Tech’s My Drama platform, marks the first time an established unscripted television franchise has been transformed into an original scripted series.

Created from the ground up for mobile-first audiences, the new production takes the thrills, tension, and terror synonymous with Fear Factor and reimagines the franchise as an entirely original fictional horror story. The series will consist of 30 three-minute episodes.

The project represents multiple new frontiers for the franchise: Fear Factor’s first scripted adaptation; the first unscripted-to-scripted television franchise extension; and a move into scripted horror for My Drama, as the platform continues expanding its content portfolio into new genres.

“Fear Factor has always tapped into something primal: what scares us, how far we’ll go and what happens when we’re forced to confront our fears,” said Hannah Pillemer, Head of Scripted, FOX Entertainment Studios. “Michael Thorn and his network team saw the opportunity to bring this iconic franchise to FOX in a bold new way, successfully introducing House of Fear and the outrageous Johnny Knoxville to a whole new generation of fans. That tremendous response has opened the door to take Fear Factor somewhere it has never gone before: becoming the first unscripted television franchise to make the leap into original scripted storytelling. Our friends at Endemol Shine came to us with an inspired way to do exactly that, turning everything audiences love about Fear Factor into the foundation for a completely original horror story.”

“Few franchises are as naturally built for vertical as Fear Factor,” said Michael Heyerman, EVP, Unscripted Series, Endemol Shine North America. “Vertical storytelling is creating a new language for entertainment, one built on immediacy, intimacy, and serialized discovery, and Fear Factor already speaks it fluently. Our partners at FOX gave the franchise a powerful new life with House of Fear, and we’re proud to build on that momentum. Alongside Holywater, together we’re creating a new generation of horror that doesn’t just fit the mobile screen but uses it as part of the experience.”

“We’re grateful to see our vision of turning My Drama into a trusted platform for studios, creators and IP like Fear Factor come to life,” said Anatolii Kasianov and Bogdan Nesvit, Co-Founders and Co-CEOs of Holywater Tech. “This is another step toward expanding the audience and helping vertical TV evolve into mainstream entertainment.”

The new vertical series takes place during prep week on a remote horror television set, where a practical-effects artist and her crew unleash a haunted fortune-telling machine that forces them into personalized death trials, leaving the survivors to uncover its tragic origins before it claims everyone they love.

The groundbreaking scripted spinoff comes amid renewed momentum for the Fear Factor franchise. Hosted by Johnny Knoxville, Fear Factor: House of Fear debuted on FOX and Hulu to 17.5 million multiplatform viewers, ranking as the season’s highest-rated broadcast debut and #1 new unscripted series among Adults 18-49. FOX has already renewed the breakout series for a second season, set to premiere during the 2026-27 season.

Fear Factor, a Banijay Entertainment format, has become a global television phenomenon with 32 adaptations worldwide.

The untitled Fear Factor scripted vertical series is produced by FOX Entertainment Studios and Endemol Shine North America. It will debut on Holywater Tech’s My Drama platform with worldwide distribution managed by FOX Entertainment Global. Ian Nsenga and Yuliia Vyshnevska produce, Gabriel Caste directs, and Thom Woodley and Andrew Beck write.

La entrada Fox and Banijay Adapt Fear Factor into Vertical Scripted Series se publicó primero en TTV News.